![]() ![]() The narration passes from showing the city’s history to its citizens’ current ways of life. This makes Marquez’s setting more vivid and real. In the space of a paragraph, Marquez shows how the city changes (or doesn’t change) over centuries. In winter sudden devastating downpours flooded the latrines and turned the streets into sickening bogs. The city, his city, stood unchanging on the edge of time: the same burning dry city of his nocturnal terrors and the solitary pleasures of puberty, where flowers rusted and salt corroded, where nothing had happened for four centuries except a slow aging among whithered laurels and putrefying swamps. Urbino, one of the city’s most distinguished doctors: Marquez narrates the passage through the eyes of Dr. In Love in the Time of Cholera (1985), the third person narrator describes the unnamed seaside city in the Carribbean where much of the novel takes place. The Colombian author Gabriel Garcia Marquez is a master of this type of narration. When we describe a pastoral scene in a rural setting, for example, we might linger on specific images (such as a wide, empty field, an abandoned tractor) to build up an overarching mood (such as peaceful simplicity). threatening, peaceful, cheerful, chaotic).
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